Al Fresco Bold Font - Laura Worthington Design

Type selection is key

Typography sets the tone before you say a word. It shapes how your message comes across — how it feels, how it’s read, and how it’s remembered.

We notice type most when it’s wrong. When something feels off. The spacing’s tight, the voice is too loud, or it just doesn’t match what’s being said. But when the type is right, it gets out of the way — and helps the words do their job. It can give structure to ideas. It makes space for meaning. Typography isn’t just about style. It’s about the way we take in information. It adds rhythm to the reading experience. It tells us where to look first and what matters most. It makes content easier to follow, and in some cases, easier to trust. The tone comes through in the details — the shape of the letters, how they’re spaced, the way one form leads to the next. Some typefaces feel quiet and careful. Others have energy. Some pull you in. Some stay out of the way. Choosing the right one is less about picking a look and more about finding a voice that fits what you want to say.That’s why trying type in context matters. It’s one thing to see a beautiful letter or a well-set specimen — but it’s another thing to see how it handles your content. How it behaves when it’s small. How it reads when it’s big. How it feels with your own words.That’s what this space is for. Try a headline. Paste a paragraph. Adjust the size, change the weight, type something unexpected. Some typefaces are built to be expressive. Others are made to stay flexible. The best ones hold up in all kinds of situations. They do the job without losing their character. Take a minute to experiment. You’ll know when it feels right.

details

Al Fresco Bold details

Al Fresco Bold is a part of the Al Fresco font family. It includes OpenType features such as common ligatures, ornaments, and several more.

Al Fresco is a breezy, light, expressive typeface perfect for packaging products and titling. Al Fresco is versatile; when titling is activated, the loops are removed from the lowercase letters, giving the typeface a cleaner aesthetic and more contemporary feel. When contextual alternates are activated, the ending strokes become minimized, offering a more natural look — a special touch that reveals the warmth and uniqueness of the human hand. 157 lowercase swash forms, 46 decorative ligatures, and 16 ornaments are included along with two additional sets of uppercase letters.

This font family has been specially coded to access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here. https://lauraworthingtondesign.com/support/resources/using-swashes-alternates-and-ornaments

Language Support

Catalan
Croatian
Czech
Danish
Dutch
English
Filipino
Finnish
French
Fula
German
Hungarian
Indonesian
Italian
Malay
Maltese
Norwegian
Polish
Portuguese
Romanian
Slovak
Slovenian
Spanish
Swedish
Turkish

OpenType Features

Common Ligatures
Ornaments
Stylistic Alternates
Stylistic Sets
Swashes
Titling Capitals

details

Al Fresco Bold details

Language Support

Language Support

OpenType Features

OpenType Features

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